Performance Liz Rosenfeld. Tremble

When:
Sat, July 18, 2026, 7pm–10pm

Free admission

Duration:
approx. 3 hours

Meeting point:
Lenbachhaus Garden (in case of bad weather, in the foyer)

What else:

No registration required.
Other information: Free seating on chairs in the garden or on the lawn.

Access note:
This work includes partial nudity, immersive soundscape of erotic breathing, and video which includes nudity and moments of sexual imagery.In good weather, the reading will take place in the garden, where garden chairs and folding chairs are available. Non-barrier access is via the main entrance of the Lenbachhaus, past the ticket office on the right, through the door and down the stairs.

Barrier-free access to the garden is via the gate on Luisenstraße. Our security staff will be happy to open the gate for you. You can reach our staff on +49 89 233 66300. There are gravel paths in the garden.
In case of rain, the reading will take place in the foyer of the Lenbachhaus. The main entrance is accessible. The entire Lenbachhaus is wheelchair accessible. There are two public disabled parking spaces on Luisenstraße.
More information here.

Photo: Jeff Busby
Photo: Jeff Busby

When:
Sat, July 18, 2026, 7pm–10pm

Free admission

Duration:
approx. 3 hours

Meeting point:
Lenbachhaus Garden (in case of bad weather, in the foyer)

What else:

No registration required.
Other information: Free seating on chairs in the garden or on the lawn.

Access note:
This work includes partial nudity, immersive soundscape of erotic breathing, and video which includes nudity and moments of sexual imagery.In good weather, the reading will take place in the garden, where garden chairs and folding chairs are available. Non-barrier access is via the main entrance of the Lenbachhaus, past the ticket office on the right, through the door and down the stairs.

Barrier-free access to the garden is via the gate on Luisenstraße. Our security staff will be happy to open the gate for you. You can reach our staff on +49 89 233 66300. There are gravel paths in the garden.
In case of rain, the reading will take place in the foyer of the Lenbachhaus. The main entrance is accessible. The entire Lenbachhaus is wheelchair accessible. There are two public disabled parking spaces on Luisenstraße.
More information here.

Flutter. Shutter. Quiver. Throb. Vibrations oscillate between all the holes and all the folds. Exposed under full house lights, a lone body trembles with the architecture of an empty darkroom. The video component of this work was shot during the COVID-19 lockdown, in the shutdown darkroom of one of Berlin’s oldest gay cruising bars. Through tableaus of nuanced movement, the artist's body proposes an ambiguous future towards abundance and desire. Skin and flesh palpitate with unknown anticipation against porous materials soaked with stale fluids, ghostly utterances, and queer potentials. This is not a memorial to what was once possible, but rather, a proposal to what this space can still become. Always an infinite hole. Always a threshold. The vibrant material of fat and flesh rock in service to ecologies and bodies not yet known.
Tremble is an immersive three hour performance, where audiences are invited to roam, cruise around, come in and out, and tremble along with us if they are moved to do so.

Created by Liz Rosenfeld.
Performed by Ronald Burger, Pêdra Costa, Cassie Augusta Jørgensen, Samir Kennedy, Leah Marojevic, Liz Rosenfeld and Dasnya Sommer.


Biography:
Liz Rosenfeld is a transdisciplinary artist, writer, and educator whose artistic practice spans performance/ experimental choreographies, film, drawing and literary work. Rooted in the body as the ones main informant, Liz’s projects explore complex histories of queerness, shifting community structures, and the ways in which queer positionality transforms in the face of political urgency. With a focus on the sustainability of emotional and political ecologies, placing a specificity on re-occurring explorations such as potentiality of holes, queer cruising methodologies, and entangled past/future political histories. Liz’s work examines flesh as a collaborative, non-binary material, engaging questions of abundance, excess, and the politics of taking up space. Liz’s writing, in poetic auto- theoretical style, interrogates questions around queer art and politics shaped by contradictory desires,  the de- linearity of intimacies, and notions around the questions regarding  how does one build a body?

Ronald Burger
Ronald Alonso Berger s a dance and performance artist from Costa Rica whose research and practice dives into personal and cultural conflicts, enhancing historiography, sexuality, politics, and magic, dwelling within spiritual practices and syncretic cosmologies, their art aims to explore metaphysical imprints in dance.

Pêdra Costa is a maker shaped by lived experience, attentive to what must be done. Their practice unfolds across many life paths, where necessity, adaptability, and action emerge as creative forces.

Cassie Augusta Jørgensen is artist, dancer and choreographer living and working in Berlin. She has perfected her show-girl-ship through working in theater, opera, galleries and nightlife. You can find her in a heel, sometimes in a flat and rarely barefooted.

Samir Kennedy is an independent artist based between London and Marseille working at the intersections between choreography, performance, sound and video.

Leah Marojević is a London-born, Berlin-based artist whose practice spans performance, choreography, teaching, dramaturgy, mentorship, and support for other artists.

Dasniya Sommer - dancer, choreographer and bondage educator who questions and expands in changing collaborations the formal language of classical ballet under the influence of Shibari, Body Art and contemporary performance art.