Gabriele Münter and
Johannes Eichner Foundation

The Gabriele Münter and Johannes Eichner Foundation became operative in 1966, four years after Gabriele Münter's death. Gabriele Münter and Johannes Eichner (1886 – 1958), the artist's life partner, established the foundation in their wills. Münter had met Eichner, an art historian and philosopher, in Berlin in 1927. He recognized the painter's talent and studied and wrote about her art as well as Kandinsky's. The Gabriele Münter and Johannes Eichner Foundation preserves and manages the artist's large estate, which comprises not only works of art and documents but also her home in Murnau.

Johannes Eichner and Hans Konrad Roethel, who would later become director of the Städtische Galerie im Lenbachhaus, met in 1952 and became close friends. In 1956, Roethel was first permitted to see the complete collection of Kandinsky's and Münter's paintings, which the artist had stored in the basement of her house in Murnau to protect them from the National Socialists. One year later, in 1957, Münter, on occasion of her eightieth birthday, most generously donated significant parts of this collection to the Städtische Galerie im Lenbachhaus in Munich.

The Foundation supports research projects designed to promote a deeper understanding of Münter's and Kandinsky's art; the results are presented in publications and exhibitions. Its seat is at the Lenbachhaus; the two institutions have collaborated closely and fruitfully on many scholarly projects and exhibitions. The Foundation has also given works of art from its collection to the Lenbachhaus on permanent loan. One important goal of the Foundation is to prepare a catalogue raisonné of Gabriele Münter's paintings that will document all oil paintings created by the artist with information about their provenance, exhibition history, and the relevant literature.

The Münter House

In accordance with Münter's wishes, her house has been made accessible to the public in its entirety as a memorial dedicated to her and Kandinsky's art. After renovations in 1998 – 99, it now appears as it did between 1909 and 1914. Richly appointed and decorated with paintings, works of graphic art, and reverse glass paintings by Kandinsky and Münter and popular art from their collection as well as the artists' own hand-painted furniture, the house vividly conveys the atmosphere that prevailed here before World War I.

Current exhibition at the Münter House

Gabriele Münter and Her Guests. Creative encounters at the Münter House

September 2019—Summer 2021

One hundred and ten years ago, on August 21, 1909, Gabriele Münter bought a home in Murnau in which art history would be written. Now widely known as the Münter House, the comprehensively renovated building was opened to the public as a museum in 1999. To celebrate the double anniversary, we have designed a special exhibition that turns the spotlight on the Münter House as a hub of creative inspiration. The show focuses on the Blue Rider years as well as events in 1934 that exemplify the house's history in the 1930s.

The Münter House in Murnau is famous as one of the birthplaces of modern art. Between 1909 and 1914, Gabriele Münter and Wassily Kandinsky stayed at their country home for extended periods of time. It was in Murnau that Münter broke through to a new visual idiom, and the motifs Kandinsky found in the surrounding landscapes guided him toward abstraction. On more than one occasion, the two hosted visiting fellow artists at the Münter House. In the fall of 1911, Kandinsky invited Franz and Maria Franck-Marc and August and Elisabeth Macke to Murnau to edit the now famous almanac "The Blue Rider." Having returned from Scandinavia, where she had spent the war years, in 1920, Münter would often come to her home in Murnau for much-needed seclusion, although she did not make it her permanent residence until 1931. A few years later, her partner Johannes Eichner moved in with her.

The exhibition, which takes up the entire building, introduces visitors to the Münter House as a scene of lively gatherings both before the Great War and over the decades that followed. The presentation on the ground floor, which has been completely redesigned for the first time since 1999, includes a selection of photographs. Thirteen new paintings by Münter, eight of which have never been on public display, will be on view in the other rooms. In another first, the Münter House will now also host contemporary art, in the form of a new work by the Munich-based artist Caro Jost: decades after Gabriele Münter's death, the Münter House remains a place of inspiring encounters between creative minds.

Isabelle Jansen and Matthias Mühling

Gabriele Münter
Fräulein Ellen im Gras, 1934
Städtische Galerie im Lenbachhaus und Kunstbau München
Gabriele Münter and
Johannes Eichner Foundation, Munich
Photo: Lenbachhaus
© VG Bild-Kunst, Bonn 2019
Gabriele Münter
Kopfstudie Ellen (Ellen Brischke), 1934
Photo: Städtische Galerie im Lenbachhaus und Kunstbau München
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn 2019
Gabriele Münter
Geschwister Wallin Stockholm, 1916
Photo: Städtische Galerie im Lenbachhaus und Kunstbau München
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn 2019
Gabriele Münter
Ellen gestützt, 1934
Photo: Städtische Galerie im Lenbachhaus und Kunstbau München
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn 2019

Gabriele Münter's Worlds. New Presentation in the Münter House

The interest in Münter’s work is growing continuously. The painter is represented in numerous exhibition projects around the world. The Gabriele Münter- und Johannes Eichner-Stiftung, which manages the artist’s estate and thus also her house in Murnau, has been pursuing a lively exhibition policy for years, with the aim of propagating Münter’s art in accordance with the Foundation’s objective.

Currently the exhibition "Under the Open Sky. Traveling with Wassily Kandinsky and Gabriele Münter" is being held at the Städtische Galerie im Lenbachhaus in Munich for which the Münter-Eichner Foundation has provided over 250 loans.

The Münter exhibition which the Zentrum Paul Klee in Bern is planning for January 2022 in cooperation with the Münter-Eichner Foundation will present almost exclusively works from the Foundation’s collection. Such projects provide an opportunity to show the public unknown paintings by Münter or paintings that have not been exhibited for decades. This is also the case with the new presentation in the Münter House that, parallel to the current exhibition "Gabriele Münter and Her Guests", introduces eight lesser known paintings to visitors, as well as several of the artist’s personal effects. The timespan ranges from 1910 to 1959. The selection predominantly comprises landscapes and still lifes: a winter landscape from the 1920s is, stylistically, a reminder of the time Münter spent in Scandanavia from 1915 until 1920; a still life with a black mask recalls the world of the theatre. Münter was in fact an avid theatregoer. City life is evoked in a study for a scene in a department store. These diverse worlds are united through the compositional means employed by the painter. The cropping of pictures as well as the unconventional use of perspective are reminiscent of photographic techniques and show how the artist never committed herself exclusively to one single creative pattern. The thirty-two paintings and photographs on view throughout the Münter House reflect the wide range of Münter’s creativity.

Gabriele Münter
Rotes Haus im Schnee, ca. 1924
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn 2020
Gabriele Münter
Helles Stilleben, 1913
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn
Gabriele Münter
Schwarze Maske
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn
Gabriele Münter
Zwei Fäden, 1949
Gabriele Münter and
Johannes Eichner Foundation, Munich
© VG Bild-Kunst, Bonn

Information for your visit

The Münter-Haus in Murnau is open.

Mon: closed
Tue–Sun and
on public holidays: 2pm–5pm
On December 24, and December 31, the museum is closed.

In order to protect your health and that of our staff, we ask you to follow the current hygiene rules in the Münter-Haus.