Looking at the Sun at Midnight

Contemporary Art from the Lenbachhaus and the KiCo Foundation September 29, 2020 – August 29, 2021

The Lenbachhaus showcases works of contemporary art created between 1958 and the present. The earliest work in the exhibition is a painting by Maria Lassnig, who pursued a distinctive style of nonrepresentational art in the 1950s. Her intensely physical gestural approach anticipated tendencies in abstract expressionism. She later made art history with her innovative "body-consciousness painting," a practice in which she scrutinized her own body and questions of gender on the canvas. VALIE EXPORT and Friederike Pezold, who emerged as key voices in the feminist art discourse in the 1960s, rose to renown with radical performances, videos, and photographs. The artists themselves typically star in works that engage the public in debates around the female body and the male gaze. The Lenbachhaus very early on presented positions in feminist art in its exhibitions and acquired such works for its collection. In the 1970s, questions of gender equality and the relations between men and women were one concern in the work of the Canadian artists’ collective General Idea to which AA Bronson belonged; their focus subsequently shifted to the AIDS crisis. Launching their careers in the 1960s/70s, the photographers Barbara Klemm and Helga Paris documented the rapidly shifting political and social realities in a divided Germany. Personal and public identities, feminism and emancipation, family and neighborhood life are their protagonists. Cindy Sherman devised a personal and self-referential practice that nonetheless never lost sight of the social dimension, exploring her own body, questions of gender, and what she saw as the terrors of the construction of identity. A young artist who has staked out a contemporary position on identity formation, humanity, and sexuality is Tejal Shah; her work in the presentation made its public debut at documenta 13 in 2012.

The title "Looking at the Sun at Midnight" is borrowed from a cycle by Katharina Sieverding. The photographer started working in large formats in 1975, when few women in the art world chose this medium. She was ahead of her time also with the subjects of her photographs, which frame the truly big pictures: politics, German history, gender identity, and the power of the image in the digital era. Although the title remains enigmatic, it unmistakably evokes the idea that things and concerns that are shrouded in darkness seen from one perspective are clear as the bright day from another. If the sunlight throws everything into sharp relief in one hemisphere, it cannot be seen in the other, and yet the sun exists at all times and sustains all life on Earth. Part of that life are questions and conflicts that concern the conditions of communal life, from personal relationships to entire societies and persistent global structures. Those conditions rest on imbalances in the exercise of power, the authority to speak, and the perception of roles that the works on view address.

The exhibition includes works that were acquired for or given to the museum in recent years and have never been on display in our galleries—featuring, prominently, treasures from the KiCo Foundation, which has supported the Lenbachhaus’s efforts to bring contemporary art to the public for over twenty years.

With works by Monica Bonvicini, Candice Breitz, AA Bronson, VALIE EXPORT, Isa Genzken, Flaka Haliti, Barbara Hammann, Judith Hopf, General Idea, Annette Kelm, Barbara Klemm, Eva Kot'átková, Maria Lassnig, Michaela Melián, Senga Nengudi, Helga Paris, Friederike Pezold, Tejal Shah, Cindy Sherman, Katharina Sieverding, Rosemarie Trockel

Curated by Eva Huttenlauch and Matthias Mühling
 

Texts to the works De / En (PDF)

Video

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ZOOM IN – Senga Nengudi

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ZOOM IN – Tejal Shah

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ZOOM IN – Maria Lassnig

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ZOOM IN – Eva Kot'átková

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ZOOM IN – Flaka Haliti

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ZOOM IN – VALIE EXPORT

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Looking at the Sun at Midnight – Welcome of director Matthias Mühling

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Looking at the Sun at Midnight – Welcome and introduction by curator Eva Huttenlauch

Works

Monica Bonvicini
Blind Protection, 2009
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Candice Breitz
Alien (Ten Songs from Beyond), 2002
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Candice Breitz
Earworm (Ten Songs from Beyond), 2002
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AA Bronson
For Robert Morris (After Verner Panton), 2003
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Isa Genzken
Soziale Fassade, 2002
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Isa Genzken
Soziale Fassade, 2002
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Isa Genzken
Soziale Fassade, 2002
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Isa Genzken
Soziale Fassade, 2002
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Isa Genzken
empire vampire V, 2003
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Isa Genzken
Zwei Frauen im Gefecht, 1974
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General Idea
Lux-On VB with Ashram Rrac, 1973
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General Idea
V.B. Gown from the 1984 Miss General Idea Pageant, Urban Armour for the Future, 1975
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General Idea
Sandy Stagg and the Miss General Idea Shoe, 1975
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General Idea
Massing Studies for The Pavilion #2 (V.B. Gowns), 1975
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Flaka Haliti
I See a Face. Do You See a Face.#01, 2014
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Flaka Haliti
I See a Face. Do You See a Face. #04, 2014
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Flaka Haliti
I See a Face. Do You See a Face. #05, 2014
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Flaka Haliti
I See a Face. Do You See a Face. #06, 2014
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Flaka Haliti
I See a Face. Do You See a Face. #08, 2014
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Flaka Haliti
My Gravity Slipped Away, 2016
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Barbara Hammann
AUTOPOLAROIDS, 1984
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Annette Kelm
AK/F 258/01 Institut für Zeitgeschichte-Archiv, Bestand Hannelore Mabry / Bayerisches Archiv der Frauenbewegung, Signatur ED 900, Box 526 1) Körperüberhang: "Frau Carrar und die Gewehre – Nicht Brecht Frau Carrar hatte Recht – Gewehre gehören vergraben! Das letzte Wort der Mutter dem Patriarchen nicht!" 2) Körperüberhang: "Frau Carrar und die Gewehre – Nicht Brecht Frau Carrar hatte Recht – Gewehre gehören vergraben! Das letzte Wort der Mutter dem Patriarchen nicht!", 2014
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Annette Kelm
AK/F 259/01 Institut für Zeitgeschichte-Archiv, Bestand Hannelore Mabry / Bayerisches Archiv der Frauenbewegung, Signatur ED 900, Box 403 Nr. 2. 1) Körperüberhang: "weder rot noch tot: gewaltlos für den Feminismus kämpfen!" 2) Körperüberhang: "Mit Bertha von Suttner – Die Waffen nieder! Dafür kämpft DER FEMINIST", 2014
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Annette Kelm
AK/F 261/01 Institut für Zeitgeschichte-Archiv, Bestand Hannelore Mabry / Bayerisches Archiv der Frauenbewegung, Signatur ED 900, Box 403 Nr. 7. 1) Körperüberhang: "Frauen Mütter Feministen kämpfen für Abrüstung und Entwaffnung aller Länder" 2) "Wir fordern Abrüstung bis zum Küchenmesser", 2014
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Annette Kelm
AK/F 262/01, Annette Kelm Institut für Zeitgeschichte-Archiv, Bestand Hannelore Mabry / Bayerisches Archiv der Frauenbewegung, Signatur ED 900, Box 531 1) Körperüberhang: "Keine Mark, kein Dollar, kein Rubel für Waffen! Der Feminist" 2) Körperüberhang: "Menschenrecht statt Männerrecht", 2014
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Barbara Klemm
Postarbeiterinnen, Frankfurt a.M., 1969
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Barbara Klemm
Gewerkschaftsfunktionäre, Metallarbeiterstreik, Stuttgart, 1971
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Barbara Klemm
Frankfurt a.M., 1968
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Barbara Klemm
Zeche Zollverein, Gelsenkirchen, 1974
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Barbara Klemm
Farbwerke Höchst, Frankfurt-Höchst, 1990
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Barbara Klemm
Kaub am Rhein, 1974
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Barbara Klemm
Frankfurt a.M., 1971
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Barbara Klemm
Koranschule, Frankfurt a.M., 1982
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Barbara Klemm
Frankfurt a.M., 1972
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Barbara Klemm
Vorstand der Privatbank von Metzler, Frankfurt a.M., 1992
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Barbara Klemm
Frankfurt a.M., 1985
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Barbara Klemm
Frankfurt a.M., 1975
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Barbara Klemm
Adlerwerke, Frankfurt a.M., 1985
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Barbara Klemm
Empfang Industrie- und Handelskammer, Frankfurt a.M., 1986
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Barbara Klemm
"Wasserhäuschen", Frankfurt a.M., 1971
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Barbara Klemm
Offenbach, 1972
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Barbara Klemm
Frankfurt a.M., 1979
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Maria Lassnig
Die Sanduhr, 2001
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Maria Lassnig
Ehepaar, 2001
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Maria Lassnig
Erniedrigte und Beleidigte, 2002
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Maria Lassnig
Die Braut badet den Bräutigam, 2005
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Maria Lassnig
Füße, 1987/89
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Maria Lassnig
Mehlspeisenmadonna, 2001/02
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Maria Lassnig
Landmädchen, 2001
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Maria Lassnig
Porträt Ulrike Ottinger und Tabea Blumenschein, 1978
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Maria Lassnig
Ohne Titel, 1958-1960
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Senga Nengudi
Performance Piece, 1977
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Senga Nengudi
A.C.Q. III, 2016-2017
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus der Mappe: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Häuser und Gesichter, Halle 1983-1985"
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Helga Paris
Aus: "Frauen im Bekleidungswerk Treff-Modelle", 1984
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Tejal Shah
Animation (Between the Waves), 2012
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Tejal Shah
Between the Waves, 2012
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Katharina Sieverding
Kontinentalkern X / Die Sonne um Mitternacht schauen, 1988
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Katharina Sieverding
Visual Studies 1, 2004
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Katharina Sieverding
Visual Studies 4, 2004
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Rosemarie Trockel
Ohne Titel, 2000
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Rosemarie Trockel
Ohne Titel, 1991
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Rosemarie Trockel
Ohne Titel, 1999
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Rosemarie Trockel
Ohne Titel, 2000
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Rosemarie Trockel
Ohne Titel, 2000
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Rosemarie Trockel
Ohne Titel, 1996
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Rosemarie Trockel
Ohne Titel, 1991
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Rosemarie Trockel
Ohne Titel, 1989
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Rosemarie Trockel
Ohne Titel, 2000
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