Mouse on Mars

Spatial Jitter starting at Kunstbau

Admission free
Longer opening hours in the Kunstbau: 10am to 8pm

Mouse on Mars is one of Germany’s most eccentric and remarkable electronic music projects. With an anarchic hybrid sound swinging between uncontrolled chaos and meticulously arranged structures, Andi Toma and Jan St. Werner have created a unique musical idiom that nonetheless never settles into definite form—too unpredictable are the myriad modifications they continually implement. Unconstrained by schools of thought, conventions of genre, and the pressures of the music industry, they are charting their own very distinctive trajectory through the no-man’s-land between pop, art, club culture, and the musical avant-garde.

Mouse on Mars take over the Kunstbau with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.

A rotatable horn loudspeaker pitchforks a sound like a pinball into the 110-yard Kunstbau, where it rebounds on the pillars, cants, splinters, is gathered back in, and dies down. One by one, additional sounds from a virtually inexhaustible repertoire are sent out into the space and modulated. Percussive devices operated by robots interject analog acoustic accents.

Sequences of different lengths are continuously rearranged so that no two of them recur in the same order. The audience experiences the orchestrated unfolding of a dynamic composition in three dimensions. The space and the sounds generated from it clash and respond to each other, resulting in an acoustic dialogue. A dedicated illumination program is coordinated with the music, seconding the sonic movements and sometimes standing in for them.

The installation intends to challenge the audience to active listening, in which only the limits of attention determine the limits of what is acoustically possible. With targeted shifts of perspective, Mouse on Mars propose to demonstrate their conviction that there is no one valid composition: each listener produces his or her own “spatial compostruction.”

Mouse on Mars have continually evolved their practice for twenty-five years, always asking new questions. The “compostruction” is part of their most recent acoustic research, inquiring both into the movement of sounds through time and space and aspects of psychoacoustic perception and the experience of sound: How can we define hearing and listening? How do we process acoustic information? How do our bodies respond to the physical movements of sound in space? How attentively can we observe the process of hearing itself? And in which other ways do we relate to our acoustic environment?

Curated by Eva Huttenlauch

Composition and Production: Andi Toma, Jan St. Werner
Speaker Panels: Michael Akstaller
Percussion Robots: Moritz Simon Geist
Lights: Matthias Singer

Along with the exhibition a LP will be published accompanied by a publication; with contributions by Louis Chude-Sokei, Helga de la Motte-Haber, Eva Huttenlauch, Mouse on Mars, Patricia Reed, Susanne Witzgall. The booklet is bilingual (German/English). Price: 29,90 euros.

publication with LP in our shop

Conversation with Mouse on Mars (PDF)

Program:

Opening
Fri, April 8, 2022, 7pm

Performance "Spaint Chords"
Fri, June 24, 2022, 7pm

Performance "RDD – Robodynamic Diffusion"
Fri, July 29, 2022, 7pm

Concert at the Muffathalle
Fri, September 9, 2022, 9pm

Media partner

Statements

"Der Raum macht die Musik, und die Musik den Raum. [...] In ein akustisches Spiegelkabinett haben Jan St. Werner und Andi Thoma den nackten Kunstbau verwandelt, haben ein Verwirrspiel von Soundreflexionen komponiert. Subtil orchestriert durch wechselnde Lichtstimmungen und aufgeführt von einem Ensemble futuristisch-anmutender Performer, will sagen: Lautsprecher, sämtlich selbstgebaut. [...] Wer das eigene Hören neu entdecken möchte – das ist der Ort dafür."

BR Klassik aktuell

"Das Schöne ist: Man kann in diese Klangwelt kostenlos eintauchen und das während der Öffnungszeiten zur beliebigen Tageszeit. Und man kann natürlich wiederkommen und sich den Klängen dort erneut aussetzen. Genau das ist auch zu empfehlen. Denn auch wenn sich das Musikprogramm nach zwei Stunden wiederholt, so wird dessen Erfahrung nie die gleiche sein."

Jürgen Moises, Süddeutsche Zeitung

"'Spatial Jitter' ist keine Ausstellung, sondern ein Erlebnis."

Claire Weiss, Frankfurter Rundschau

Audio

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Works

Installation views