I'm a Believer

FROM March 20, 2018 at Lenbachhaus

Ulrike Ottinger, from the series "Journée d'un G. I.", 1967, Städtische Galerie im Lenbachhaus und Kunstbau Munich, photo: Lenbachhaus © Ulrike Ottinger


pop art and Contemporary Art from the Lenbachhaus and the KiCo Foundation

In Pop Art, the ordinary, the entertaining, and irony conquered high culture. Here was art that was hip to the contemporary moment. Pop Art was the creative expression to match the euphoria of the postwar boom and the prosperous capitalism of the 1950s and 1960s. But it was always also a critical embrace of social and political conditions against which resistance had proven futile. Andy Warhol, for example, harnessed the principles of capitalism—advertising, political agitation, the superficiality of television—to generate ironic distance, producing pictures that have lost none of their popularity. To Pop Art’s lasting credit, it spurred museums to shake off the dust of elitist edification; as they demonstrated and still demonstrate, they are far from boring and outmoded.

The Städtische Galerie im Lenbachhaus mounted a first solo exhibition of Warhol’s work early on. And the Lenbachhaus was the scene of the legendary encounter between Warhol and Joseph Beuys. This history is the point of departure for the exhibition I’m a Believer. Pop Art and contemporary art from the Lenbachhaus and the KiCo Foundation. It opens with classical positions: Andy Warhol, Thomas Bayrle and Ulrike Ottinger. The display then wends its way past Sigmar Polke’s German Pop and Stephen Shore’s photo­ graphs of North America’s suburbs to contemporary champions of the popular in visual art such as Hans-Peter Feldmann, Isa Genzken, Judith Hopf, Daniel Man, and Pietro Sanguineti.

Likewise I’m a Believer is an affirmation of our commitment to Munich painting of the 1950s and 1960s featuring en­sembles of paintings by Hannsjörg Voth, Günter Fruhtrunk, Rupprecht Geiger and Irma Hünerfauth. Existential issues in recent European history are at the center of a series of works in other media: A gallery that Gerhard Richter designed especially for the Lenbachhaus spotlights the limitations of art in general and painting in particular. Birkenau, a cycle of photo­graphs by Richter, probes the question of how to represent the unrepresentable, asking which pictures we have that can help us remember and work through our history. Photographs and video and slide installations by Gerard Byrne, Willie Doherty, and Michaela Melián expand on these questions, connecting the genres and reflections the exhibition explores to major issues of the present.

With works by Thomas Bayrle, Gerard Byrne, Miriam Cahn, Willie Doherty, Walker Evans, Hans-Peter Feldmann, Günter Fruhtrunk, Isa Genzken, Bruno Gironcoli, Judith Hopf, Irma Hünerfauth, Daniel Man, Michaela Melián, Ulrike Ottinger, Helga Paris, Sigmar Polke, Gerhard Richter, Pietro Sanguineti, Stephen Shore, Hannsjörg Voth, and Andy Warhol.

Curated by Eva Huttenlauch und Matthias Mühling

Was tun!

Tue, October 16 and 30, 2018, 6pm
Sun, September 23, October 7 and 28, 2018, 2pm

Seeing an exhibition, everyone has their own associations, questions, and ideas—and so do the members of our team. In this series of guided tours of the show, they share their individual perspectives and introduce you to their personal highlights.

Tue, September 25, 2018, 6pm
... Sebastian Schneider, Assitant Curator, and Susanne Böller, Curator

at Lenbachhaus
Duration: 1 hour
Costs: 3 Euro / p.p. plus admission
Tickets are sold at the cash desks inside the Lenbachhaus and Kunstbau, online and at the München Ticket reservation kiosks.

[Translate to English:]


Di, 16. und 30. Oktober 2018, 18 Uhr
So, 23. September, 7. und 28. Oktober 2018, 14 Uhr

Wir alle haben bei einem Ausstellungsbesuch eigene Assoziationen, Fragen und Ideen – so auch unsere Mitarbeiterinnen und Mitarbeiter. In dieser Führungsreihe beleuchten sie die Ausstellung aus ihrer persönlichen Perspektive und mit eigenen Akzenten.

Di, 25. September 2018, 18 Uhr
... Sebastian Schneider, wissenschaftlicher Volontär, und Susanne Böller, Kuratorin

im Lenbachhaus
Dauer: ca. 1 Std.
Kosten: 3 Euro / Person zzgl. Eintritt
Tickets sind an der Museumskasse im Lenbachhaus, an allen Vorverkaufsstellen von München Ticket oder online erhältlich.


 „Für viele eine echte Überraschung durfte der Künstlerraum von Ulrike Ottinger sein. Die 1942 in Konstanz geborene Filmemacherin schuf in den Sechzigerjahren in Paris ein wenig bekanntes druckgraphisches und malerisches Werk, das zahlreiche Bezüge zur Pop Art aufweist. Mit popkulturellen Zitaten und plakativen Motiven wandte sie sich gegen Sexismus, Gewalt und den Vietnamkrieg. Das Konvolut im Besitz des Lenbachhauses ist eine echte Entdeckung.“ (Evelyn Vogel, Süddeutsche Zeitung)


„Klassische Pop Art trifft auf Kunst, die sich bis heute mit Populärem beschäftigt; trifft auf Lust an Malerei; trifft auf Positionen, die testen, ob Kunst bestimmte Themen überhaupt darstellen kann.“ (Simone Dattenberger, Münchner Merkur)

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