Concert Julius Eastman

As part of the International Weeks Against Racism

When:
Mon, March 14, 2022, 8pm–9pm

Costs:
25 € / reduced 15 €

What else:

The concerts take place in the Kunstbau.

Without seating.

During the event, the 2G rule (vaccinated or recovered) applies. Please show valid proof at the entrance.
Please check the current regulations again before your concert visit, as they might change at short notice.

Sophia Jernberg. Photo: Jon Edergren
Sophia Jernberg. Photo: Jon Edergren

When:
Mon, March 14, 2022, 8pm–9pm

Costs:
25 € / reduced 15 €

What else:

The concerts take place in the Kunstbau.

Without seating.

During the event, the 2G rule (vaccinated or recovered) applies. Please show valid proof at the entrance.
Please check the current regulations again before your concert visit, as they might change at short notice.

Together with the musicians Sofia Jernberg (vocals) and Simone Keller (piano), the Lenbachhaus is presenting a concert in the Kunstbau. Works by international composers of the 20th and 21st centuries by Julius Eastman (1940–1990), Irene Higginbotham (1918–1988), Sofia Jernberg (*1983), Jessie Marino (*1984), Julia Perry (1924–1979) and Arnold Schönberg (1874–1951) will be performed. The program brings together artists from recent music history who were discriminated against or even persecuted on the basis of their origin, gender or sexual orientation and were therefore only able to work under difficult conditions. Their impressive compositions can be experienced in this concert.

Program:

Sofia Jernberg, vocals
Simone Keller, piano

Julia Amanda Perry, Prelude (1962)
Julius Eastman, Prelude to the Holy Presence of Joan d'Arc (1981)
Julius Eastman, Piano 2 (1986)
Sofia Jernberg, Improvisation (2022)
Arnold Schönberg, Die Kreuze (1912)
Jessie Marino, Slender Threads (2020)
Julius Eastman, Buddha (1984)
Irene Higginbotham, Good morning Heartache (1945)

Program booklet March 14 (PDF)

Medienpartner: BR-Klassik und ARTE
Mit freundlicher Unterstützung des Förderverein Lenbachhaus e.V.

In the context of the exhibition